Sunday, August 17, 2014

Week 1 - gothic

I’ve tried going back to Frankenstein multiple times, but my Kindle tells me I’ve only made it 36%. I think the study of screenwriting has warped my reading a bit, because I’ve grown to expect some continually rising action. Frankenstein doesn’t have enough regular development to keep me engaged. He makes the monster and a year later hears of it again. I don’t like the style (also used to a greater degree in Interview with a Vampire) of opening with the main character telling their story. It does add a degree of verisimilitude however it makes the plot a little less interesting because we know where they end up. I’m sure many disagree with me, but that’s the impact I feel. The biggest problem though is the amount of introspection and self-pity that Dr. Frankenstein is continually subjecting us to.

However, this does make the work very gothic, since human nature is a big component of the genre. His inner conflict and the creature’s longing of acceptance are profound components of human nature. Frankenstein also muses a lot about his fate and his punishment for creating such an abhorrent monster.

I am still interested in understanding the importance of Frankenstein in our culture for myself, so I still would like to continue revisiting the book. I also really want to see the film of the Danny Boyle production of Frankenstein with Benedict Cumberbatch and Johnny Lee Miller. I am a huge Cumberbatch fan and they did two separate versions where they each play a different character. As an aspiring director, I find the idea fascinating.
I think the Underworld series is a very fun example of modern gothic. It takes place almost entirely at night and opens in a severe downpour of rain. It has very low key lighting and a old historic setting. Selene faces a lot of conflict regarding who to trust. And there is a lot of suspense in finding out who really deserves her loyalty. It has a cool use of the gothic settings of multi-chambered, hidden rooms and cemeteries. The mansion they live in has a crypt with in-ground cases where the resting elders bodies are guarded at all times.


It does spin off the gothic, because rather than ironic religious imagery and churches in disrepair, it creates its own pseudoscientific setting. It fabricates genetic explanations for vampirism as opposed the religious view of those affected characterized as being damned.